Use the Hudson Top pattern to make an effortless layer in cross-dyed linen. This boxy poncho is open at the sides with ties at the waist.
Subcategories from this category:Pattern Variations, Fabric Sewing Techniques, Sewing Tricks & Tips
As sewists there are two big things we collect— patterns and fabric. I mean, we just can't help it, right? Now, how often do you buy a new pattern or fabric only to put it away when you get home and forget about it? I do that all the time. But I've discovered an easy way to put my sewing patterns and fabric collection in a database so I can easily see what I have and what I need.
In 2013, Linda took her first workshop with Alabama Chanin down in Florence, Alabama. It was a weekend that would change her sewing forever as she started incorporating Alabama Chanin's signature intricate embroidery and appliqué techniques into her own garments. It also introduced her to the beautiful American-made, organic cotton knits manufactured and used by Natalie Chanin in her designs. Today we are one of the few places where you can buy the full range (25 colors) of Alabama Chanin knit! But, what if you don't want to spend all that time hand stitching, beading or appliquéing? What if you just want to add a little detail to a simple garment? Well, we have three ideas for you.
At our Sewing Workshop at the Sew Arkansas retreat last April we hand-dyed silk to use as linings in the Tremont or San Diego jackets. I decided to use some of my silk to create a scalloped-back MixIt Tank. I mixed the pink silk with our a stripe ponte knit. The process is simple, and I love how the addition of the scallop hem adds a little surprise to the MixIt.
Those of you who followed along our Cottage Shirt Sew-Along may have wondered why I didn't show my finished Cottage. Well, there I was, getting ready to sew the buttonholes when I realized that the fabric design didn't match in front. And I knew that I just couldn't wear the shirt with a non-matching front.
I rarely use a print that is as grid-like as this one, so mostly I don't worry about matching prints. In fact, the prints not matching on the side didn't bother me at all, but something about that center front being off was just too much for me. So I took the almost-finished Cottage apart and started again.
I've always liked the look of the West End Jacket. It is a great looking, casual jacket that can be thrown over anything. However, I am not a fan of a hood, so I have avoided making it. But when I was thinking about making a garment using our fabulous Palm Tree fabric, I decided that it was time to tackle a woven, hoodless version of the West End. Creating the jacket without the hood was incredibly simple, involving just a few tweaks to the pattern. Read along to see how I did it and make your own!
Our new Stafford Jacket was inspired by that most classic of garments, the jean jacket. Who doesn't have a jean jacket (even I have one and I don't own any actual jeans!). There is just something so right about the slouchy denim jacket. It is comfortable, functional and always looks good. Thinking about the Stafford, we combined the archetypal jean jacket with a cropped swing shape. The most unique feature of a jean jacket is the wonderful topstitching featured on the front, a detail we incorporated into the Stafford. Good topstitching is the hallmark of a professional looking garment, but can be tricky to perfect. Read on for some suggestions on making your topstitching clean and professional.
We've created limited edition Boulder Duffle kits in luxe gold and silver metallic fabric. And while we are all in agreement that the bags are fabulous (who doesn't want bling-y bag?), we are also in agreement that sewing fabrics that have a coating on them such as faux leather, oilcloth, and laminated fabrics can be tricky. Sometimes the fabric doesn't move through the sewing machine well because the fabric is sticky so the stitch lengths are uneven and skipped. Most times, they are almost impossible to press without melting or crinkling the surface. And if you make a mistake and need to remove stitches, holes appear, so you want to try to get it right the first time. Because we want you to have your kit and make it too, we've pulled some of our fabric sewing tricks from our Sewing Faux Fashion Leather Sew Confident! tutorial to help you create your own metallic Boulder Duffle.
Not every button has to be the same on a garment. After looking at the over-the-top mixed looks this season of Etro, Gucci and Dolce and Gabbana, I decided to shake it up a little bit on my "Burberry" silk charmeuse and pebble textured knit Liberty/MixIt Shirt. You can find the tutorial to combine these two patterns in our August 2017 Sew Confident! tutorial, The Liberty MixIt Fusion. In this tutorial Linda combined the general shape of the Liberty with the neckline of the MixIt. She also teaches you how to shorten the sleeves, create a new self-facing, and create perfect mitered corners.
When you love a fabric, but it's not quite the right weight for the piece that you want to make, what do you do? This is what happened to me recently. I fell in love with this printed handkerchief linen fabric and couldn't get past the idea of making pants. But the fabric was too sheer for a bottom weight.
Since being introduced by Coco Chanel in her 1917 Nautical Collection, the Breton striped shirt – originally designed as a French naval uniform – has held a firm place in fashion's favor. The jaunty stripe is casual yet chic and gives its wearer a splash of insta-cool. You can find the Breton in shirts, dresses, scarfs and sweaters. This ubiquitous stripe has found itself made into every garment under the sun, though it is most popular in a classic t-shirt.
As the days are getting warmer, I've been thinking about easy summer clothes that take no time to make, but are stylish enough to wear for work or play. Inspired by some dresses I saw online, I decided to make myself a Breton stripe t-shirt dress. Luckily, I had our classic eTee pattern at hand...
The San Diego pattern has a very unique way of making the facing and collar. The process isn't difficult but requires precise stitching to get a clean, sharp look. We have made a lot of San Diego samples and have found, through trial and error, several tricks for more accurate stitching. To help you make your best San Diego, we have put together a little tutorial on sewing the neckline, complete with tips that we have found make the process easier. Enjoy!
Sometimes the simplest tools can be the best. Take the humble tweezer. Sure, it has been stereotyped as a bathroom-only apparatus used only for splinters and the stray eyebrow hair. But the tweezer is more than that, it is an apparatus that can be used in the most delicate of sewing situations.
The Eureka Top is a simple scoop-neck, boxy tee that has become a staple piece in our wardrobes. Linda took that classic shape and added some pizzazz by dividing the pattern and creating an altogether new garment, the Divided Eureka. Read on to learn how to create this fun variation!
In the December 16, 2015 blog post called French Terry Topper, I described the process of lengthening the Chicago Jacket to make a longer version in French terry. The coat looks and feels great, but I noticed after it was made that it wants to fly open at the bottom a bit, even when just hanging on a hanger.
Every time I fly to Chicago, I always make time to walk through Neiman Marcus on Michigan Avenue to see the Eskandar line of clothing.The pieces are simple. The designer basically turns out the same designs every season and simply changes up the fabrications and perhaps a length or two.
I've known Ellen March, editor of Sew News magazine, for a long time. I wrote articles for her and even fielded questions in the Q&A department for years. When she called me and asked if I would be a guest on her Sew It All TV show, I couldn't resist an opportunity to work with her in another format — on camera!
French terry is a type of jersey knit fabric that has vertical ribs on one side of the fabric and fine loops on the other side, unlike terrycloth, which has loops on both sides. It has entered the fashion scene once again and is used by designers for all kinds of ready-to-wear including coats and toppers.
The tulips and irises are blooming. The toes are painted and sandals are out. It's spring! Wearing dresses is a simple way to get dressed in the morning, year round. But it's essential in the spring and summer to stay cool. In an effort to make every pattern into a tunic or dress, I tackled the Now Shirt.
On a recent trip to Mulberry Silks in Carlboro, NC, I saw Nancy Quaintance in yet again one of her fabulous creations. She was wearing an Icon Shirt as a vest made in a combination of leather and wool. I was so enchanted with it, that I came home and made one for myself in a Chocolate Brown Cloque.
I don't always want a zipper closure on the Quincy Top. I can't always find the exact color and length of separating zipper - at least quickly. Also, the fabric that I used, EBL004 Linen - Frosty Pink & Green, was so soft and semi-sheer, that I thought a zipper would be too heavy. So it is possible to convert the front to a button closure with some simple adjustments.
I don't know about you, but collars can be tricky. Everyone wants their garments to look crisp & clean, finished with a professional look. My downfall, precise collars.
Linda Lee can make crisp collar points each and every time. Jealous? I know I'm green with envy. Now you can follow these 5 easy steps to sew perfect collar points!
To download the full step-by-step tutorial, click here.
Now go, show off your amazing sewing skills!
One of the most interesting features of the Liberty Shirt is the beautiful hem finishing. Since the back is longer than the front, there are two corners that need attention in a special way. The bottom hem in the back is a 2 1/2” finished hem and the adjacent side vent hems are 1 3/8”. The instructions for mitering this corner condition is just one of the seven mitering techniques that Linda has written in her book, Mastering Miters.
I do believe that spring is going to grace us with it's presence this weekend. Finally, I can wear floral without a wool cardigan, scarf & gloves. What a concept! I'm ready to pull out the lightweight linen, colorful florals, and vivid accessories.
And when the garments in my closet don't excite me for the upcoming season, why not create something new? Using a pattern that never fails, Linda created a fresh new San Diego tunic.
I just can't stop sewing. Those creative juices are flowing!!!
Next stop, the Verona Jacket. The Verona Jacket has always been "uncharted territory" for me. It's a little more fitted than I would normally choose to wear. I like more movement & flexibility in my clothing. But this is such a great pattern, I needed to find a fabric that would make this garment work for me. Then we received the most amazing heavy-weight wool knits, in floral. I couldn't resist.
ZEN WOOL FELTED JACKET The Now and Zen shirt pattern (Zen Version) from The Sewing Workshop Pattern Collection was the inspiration for the white jacket on the cover of Threads magazine, March 2010, Issue 147. From there, the design morphed into something quite different.
To cut out some of the straight boxy shape of the shirt, I drew and then sliced a curved princess line in the pattern tissue from hem to front armhole and repeated that on the back. I shaved a little more shape into the waist on the tissue. Because of the size of the washed jersey piece, I also made a back seam and shaped that a little at the waist. Then added the necessary seam allowances to the split edges of the pattern tissue.
I rounded off the corners of the neck edge and lower front.
The Zen shirt pattern departs from the traditional right-over-left buttoning and buttons left over right. But I buttoned right over left for this jacket.
The ruffle came out very different than first planned. I set aside about 1/2 yard of wool jersey before washing to use as the thinner layer of the inside ruffle. I thought the selvedge edge of this yardage was a finer finish than most jerseys, so I used the selvage edges for both of the ruffle edges – both washed and unwashed layers. I cut the one strip of unwashed jersey 3 1/2” wide and one strip of washed jersey 3” wide – both on the selvage if possible.